Fourth Black Theatre Season information and administration. Correspondence and responses to invitation to the Royal Gala Performance of Moon Dance Night by Edgar White. Letters of thanks including Prince Edward's. Letters from the House of Commons regarding the opening event of the Black Theatre Season 1987. Includes a RSVP card from MPs Paul Boateng and Diane Abbott. Invitation letters describe the highlights of the festival to guests. Response letters are thank-you notes or apologies for not attending event.
Alive and Kicking? conference: Budget breakdown 1995 and minutes from meetings. File includes booking slips with details of participants.
Programme of the South Bank conference. It includes a mission statement; information; speakers' details; agenda and meeting notes; workshop details and contact listing; correspondence with South Bank officers and contact names.
Details on the first national workshop forum on Black Theatre, South Bank Centre - November 1995. Hand-written notes on payment scheme and writer project.
KickArts!: event organised by the forum; feedback forms; Organ Eyes proposed programme; Future Histories conference: leaflet (copy).
Black Actors Support Group Infoshop (1996); Seminar Enterprise (1996); the African People's conference (1996); art works information on urban regeneration through Black Arts; Future Histories conference: correspondence and paperwork including South Bank questionnaires; grid plan and contract between the Oval House and the organisation. Tara Arts' actor agency: study report 1996; Artblacklive - Two 1996: conference; UK Panafest support group '96: conference on the francophone Festival Theatral Historique Panafricain; Brixton Academy: details on the venue's rate; Black Arts Action Day 1996: event description; Minutes from the organisation dated 30th May 1995.
Black Arts Alliance's magazine; Correcting the Picture: conference Where do We Go From Here? The Future of Afrikan Caribbean Theatre in Britain: a one-day national conference (1998); The Empire Strikes Back: leaflets of the play; The Invisible Voice: Where Does Black and Asian British Writing Fit into the Life of This Country?: open Forum with Bonnie Greer and Michael Phillips (1998); There Are No Limitations: seminar on creativity; Black Disabled Communities Project (1997); London Arts Board seminar (1997); West Yorkshire Playhouse programme for Black History Month (1997); Moving into Performance Report (1994): European Mime and Theatre Workshop symposium; Royal Society for the Encouragement of Arts: NESTA 1997 - The National Endowment from Science, Technology and the Arts. Production leaflets.
Paperwork on the administration of seminars and workshops: youth and community services listing. Seminars authors include Philip Hedley, Leonie Forbes, Lloyd Richard. Hand-written notes, planning sheets, list of participants on workshops led by Yvonne Brewster, correspondence with theatre companies and workshops organisers.
In-house recording of eight tapes: Future Histories conference, day one and day two (November 1995).
Speaker notes: hand-written information gathered by the organisation over several events; associate material; planning. Events include: The Future of Black Performance; Where Do We Go From Here?; Correcting the Picture; mailing list; correspondence; information on potential venues, brochures; notes on speakers, personal details, Future Histories conference: details costs including breakdown.
Evaluation reports; List of delegates; report on 10 Steps to Starting a Theatre Company from the Independent Theatre Council (ITC); arts leaflets.
